Athlon 64 ïîä Socket 939
Abit AV8 and Soltek K8TPRO-939 stand out due to their rich interface connections on their rear panel. Abit offers extended oveclocking options and solid design, supplemented by capabilities of desktop module µGuruClock. The motherboard will be a good variant for enthusiasts who are eager to monitor the system status and resume it to the previously set value. The Soltek motherboard will be especially interesting for those seeking an inexpensive way of system upgrade as it provides four channels of UltraATA/133, AGP 8X and five PCI slots. Athlon drivers in here.
If you buy a new PC we strongly recommend to choose a PCI Express motherboard. The same advice relates to users who totally upgrade the system. The majority of motherboards to be marketed within the next few months utilize the nForce4 chipset. One can trust Gigabyte K8NXP and MSI K8N Diamond. If for any reason you need a motherboard with 4x PCIe slot, take a look at K8X890 Pro from Albatron – the manufacturer combined four lines of PCIe chipset K8T890 in one high-speed interface. The best cost effective products are EPoX andWinFast: the EPoX motherboard is built on nForce3 Ultra, while WinFast uses 755FX by SiS.
Nu Breaks
A heavy dance style that developed in the late 1990s through the mixture of Techno and Drum’n'Bass as well as some elements of early Rave. Nu Breaks pioneers include such musicians and DJs as the Britons Adam Freeland, Dylan Rhymes, Beber, Freq Nasty and Rennie Pilgrem, as well as some Americans, such as BT. From the Drum’n'Bass style they borrowed 2-Step Break-Beats and macabre effects; from Techno - the soft flow of music and mechanical drums; and from early Rave/Hardcore of the 1990s - some bells and whistles (in the direct and metaphorical sense), which had not been heard for many years. Freeland - one of the most celebrated Nu Breaks performers (especially after most musicians focused on releasing singles) -after Rock-style mixes, such as Coastal Breaks and Tectonics, won success and hordes of dance fans the world over.
Rave
Rave is more of an event than a music genre. Rave was the name used for underground parties under the influence of Acid, Hardcore and large doses of mild drugs (mostly ecstasy). Music played at rave parties mostly had hallucinogenic properties long before drugs became their main component. DJs playing music at rave parties composed music from Techno and House singles. Soon DJs, and not recording musicians, became the most recognizable and famous people in this environment. Raves remained a chiefly English phenomenon since the late 1990s to the early 1990s. Such gatherings took place on large premises, mostly at abandoned warehouses or in the open air. In the end, the British government showed displeasure at such gatherings, calling Rave a socially dangerous and antisocial phenomenon that had to be stopped. Yet this did not happen, and raves continued to exist, with fans spreading the word about upcoming parties by word of mouth and handmade fliers. In the USA, the onslaught of rave started in the early 1990s, but never gathered large crowds, even by underground standards. The 1990s saw the emergence of bands directly influenced by rave, especially the likes of The Stone Roses, Happy Mondays, and Charlatans; as well as British pop music representatives Pulp and Oasis; techno band The Prodigy - all of them developed the core trend of the rave culture, capturing the attention of the British youth in the late 1990s.
Acid Jazz
The origins of the term Acid Jazz are legendary. The most plausible legend has it that British DJs Jills Peterson and Chris Bangs of Kiss FM radio accidentally called a demo tape with their own music Acid Jazz. While developing early forms of Acid House music, they never forgot their passion for Frank and Jazz. Experimenting, they added them to their customary music. What resulted from this in the late 1980s was still unusually fashionable in the late 1990s, know as Jazzy House. Only then originated the term Acid Jazz, which Jills and Chris used several times on air. So the term Acid Jazz started to be applied to any music combining elements of traditional Jazz, American Frank of the mid-1970s, Hip-Hop, and Soul with electronic dance rhythms. Acid Jazz the kind we know it today originated in London’s underground dance clubs in the late 1980s.